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DOI:
https://doi.org/10.25807/PBH.22225064.2019.51.213.216
The article discusses the position of the famous Russian critic
G. Kogan — the author of articles on the performing art of
S. Rachmaninoff. The value and relevance of Kogan’s work on
Rachmaninoff as a pianist is noted. The emphasis is made on
Kogan’s consideration of Rachmaninoff’s innovative interpretation
of P. Tchaikovsky’s piece “On the Troika”. The context of the
article includes a comparative analysis of the interpretations of
this composition by pianists of the past and the present – K. Igumnov
and M. Pletnev. Conclusions are made about the continuity
of traditions in Russian piano art.
Keywords: music, composer, performer, work, piano, style, interpretation, traditions,
modernity, listener, perception.
REFERENCES
1. Kogan G. Voprosy pianizma. M.: Sovetskiy kompozitor, 1968. S. 260–296.
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russkikh pianistov. Fortepiannaya kul’tura Rossii: istoriya i sovremennost’: sbornik
statey i materialov. M.: Izdat. tsentr «Moskovskaya konservatoriya», 2016. S. 163–172.
3. Metner N. Povsednevnaya rabota pianista i kompozitora. M.: Muzyka, 2011. 72 s.
4. Mysli i aforizmy o fortepiannom iskusstve. M.: Klassika XXI v., 2016. 159 s.
5. Nikolaev A. Fortepiannoe nasledie Chaykovskogo. M.-L.: Muzgiz, 1958. 206 s.
