The article reveals the interpretation of an ensemble of soloists in works by contemporary Russian composers. The features of concepts, musical language, instrumentation, including sonorous effects in opuses of different composers are considered.
Particular attention is paid to the issue of textural and timbre organisation of music. The works by contemporary Russian composers are analysed in the mentioned aspects.
Keywords: ensemble of soloists, contemporary Russian composers, large and small
casts, concepts, features of instrumentation, sonorism.
REFERENCES
1. Vysotskaya M. S., Grigor’yeva G. S. Muzyka XX veka: ot avangarda k postmodernu:
ucheb. posobie. 2-e izd., ispr., dop. M.: Nauchno-izd. tsentr Moskovskaya
konservatoriya, 2014. 440 s.
2. Moskovskaya osen’’ 2011. XXXIII Mezhdunarodnyi festival’ sovremennoy muzyki.
29 oktyabrya — 30 noyabrya. M., 2011. 114 s.
3. Moskovskaya osen’’ 2013. XXXV Mezhdunarodnyi festival’ sovremennoy muzyki.
28 oktyabrya — 1 dekabrya. M., 2013. 112 s.
4. Savenko S. I. V. G. Tarnopol’skiy posle «Kassandry» // Musiqi Dünyasi. 2013.
№ 3/56. S. 29–35.
5. Savenko S. I. Obshchie tendentsii // Istoriya otechestvennoy muzyki vtoroy
poloviny XX veka: uchebnik / otv. red. T. N. Levaya. SPb.: Kompozitor, 2005.
S. 429–446.
6. Umanskiy K. A. Imperativo — non imperarivo (2000): annotatsiya. Rukopis’.
Arkhiv avtora.
7. Kholopova V. N. Sofi ya Gubaydulina: putevoditel’ po proizvedeniyam. M.: Kompozitor,
2001. 56 s.
8. Shul’gin D. I., Shevchenko T. V. Tvorchestvo — zhizn’ Viktora Ekimovskogo:
monografi cheskie besedy. M.: GMPI im. M. M. Ippolitova-Ivanova, 2003. 209 s.
