Dong Xize, O. B. Nikitenko
Price: 50 руб.
DOI:
https://doi.org/10.25807/PBH.22225064.2019.51.74.84
The article discusses the piano compositions of the Chinese composer,
pianist, theorist Chu Wanghua, who was living in Australia since 1980,
but who invariably embodied the national style in his music, which
has always remained a basis of creativity and a source of inspiration
for him. His piano music shows his special approach to the national
material. The works of Chu Wanghua are examined through the prism
of adaptation — a peculiar method of refracting folk music, which is
based on a technique of two-stage processing of folk material, which
involves its “implantation” in a new instrumental, linguistic, logical
environment of a different musical culture. The concept of adaptation
helps to identify the ultimate two-dimensionality, a kind of musical
and linguistic “bilingualism” appearing in the works.
Keywords: Chu Wanghua, Chinese piano music, national style, transcription, arrangement, adaptation.
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