M. V. Smirnova, Ge Chang
Price: 50 руб.
DOI:
https://doi.org/10.25807/PBH.22225064.2019.51.55.62
The paper is devoted to one of the brightest works of the
Soviet composer D. Kabalevsky – the cycle of piano preludes.
The traditions of the Moscow piano school were
refl ected in D. Kabalevsky’s works. The author of the paper
underlines the value of the composer’s heritage in the creative
and instructive fi elds and also the importance of introducing
his music into the modern performing and training
repertoire of Chinese students. The composer’s preludes are
systematised, and separate pieces of the cycle are analysed
in the performing and methodological aspects.
Keywords: composer, pianist, music, piano, culture, epoch, history, modernity, traditions,
folk songs, repertoire, mastery, interpretation, expressive means, technique, virtuosity.
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