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The Scientific Opinion №7-8 (Psycho-pedagogical and philosophy of science), 2019

PERCEPTION, STORAGE AND TRANSMISSION OF WORKS OF ART: THE AUTHOR’S DEATH WITHOUT METAPHORS

T. V. Sholomova
Price: 50 руб.
 DOI: https://doi.org/10.25807/PBH.22224378.2019.7–8.18.23
The concept of the “death of the author” implies the full power of the recipients in the 
matter of perception and interpretation of the work of art. I argue that the mechanism of 
interaction between the “consumer” and the “creator” is more complicated: the recipient 
has the opportunity to state his aesthetic preferences in the simplest and most accessible way – to buy a ticket; the author learned to bene瑓t from his own “death” by pretending 
to be dead (avoiding to participate in interpreting his creations). However, the physical 
death of the author, as a physical death of any person, completely deprives him of all the 
possibilities and rights, leaving the perception, storage, transmission and reproduction 
of works of art (and the very memory of their creator) to the whimsical and selective 
will of the descendants, who, however, usually seem fairer in their judgments than the 
contemporaries.
Key words: author, aesthetic recipient, author’s death, producer, rights of the dead.
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