Price: 50 руб.
DOI:
https://doi.org/10.25807/PBH.22225064.2019.48.137.145
People live in the real world and at the same time in the imaginary
world, built on perception, symbolic forms, and images. These two
worlds are intertwined with each other, replacing and complement-
ing each other. A researcher integrated into this process has a limited
potential for studying things, as the temporal distance makes objective
assessment diffi cult to achieve, or even impossible, because the assess-
ment is subjective and determined by diverse variables. We will attempt
to establish a link between traditional forms and symbolic meanings in
monumental painting in the modern world civilization. The problem to
be solved in this case is to read the symbolic meaning of monumental
painting, as well as to highlight the iconic themes and symbols that
abound in works created in the period after the Second World War, and
which were realized as a result of accumulation of well-established
images in the memory of communities.
Keywords: symbol, form, content, art.
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