M. V. Smirnova, Zeng Yiyi
Price: 50 руб.
DOI:
https://doi.org/10.25807/PBH.22225064.2019.48.55.60
The paper is devoted to a little-known piece of A. Rubin-
stein’s heritage — Piano concerto No. 3. The music is
analyzed in relation to the unique performance style of
the great Russian pianist. The authors touch upon issues
of interpreting Rubinstein’s music as a whole, and also
signifi cance of Piano concerto No. 3 in a pedagogical
aspect.
Keywords: piano, pianist, virtuoso, style, concerto, clavier, listener, interpretation,
sound, cantilena, melody, virtuosity, perception, popmusic, pedagogical process.
REFERENCES
1. Asaf’yev B. Izbrannye trudy. M.: Izdatel’stvo Akademii nauk SSSR, 1954. T. 2.
384 s.
2. Zenkin K. Fortepiannaya miniatyura i puti muzykal’nogo romantizma: uchebnik
dlya vuzov. 2-e izd. M.: Yurayt, 2019. 410 s.
3. Kogan G. Voprosy pianizma. M.: Sovetskiy kompozitor, 1966. 461 s.
4. Mil’shteyn Ya. Konstantin Nikolaevich Igumnov. M.: Muzyka, 1975. 471 s.
5. Rubinshteyn A. G. Korob mysley. Affi zmy i mysli. M.: Olma-Press; SPb.: Neva,
1999. 319 s.
6. Rubinshteyn A. G. Tretiy kontsert sol’ mazh. dlya fortepiano s orkestrom: Or. 45:
Perelozh. dlya 2-kh f.-p. / redaktsiya i predisl. G. Sharoeva. M.: Muzyka, 1966. 90 s.
