For modern artistic practices including fashion, synthesis between
different kinds of art is an important vector of development.
Graphic art as an essential part of costume history infl uences for-
mation and presentation of fashion tendencies. Graphic heritage is
a source of costume stylistic development research; it is also a tool
for implementing a designer’s creative potential and a resource for
formation of fashion tendencies. The article considers not only a
special role of project and accompanying (fashion illustration)
graphics, but also the use of graphic art heritage as a source of
“novelty” in fashion formation, where the basic tools are methods
of citation, interpretation, borrowing and collaboration.
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