The article is devoted to the synesthetic aspect of the study of micro-
chromatics in the work of I. Vyshnegradsky. The author notes the
infl uence of Scriabin on the composer’s worldview. With the means
of expressiveness, revealing the author’s creative intent are analyzed,
attention is focused on the features of the sound continuum. The article
may be useful to students and students of vocational schools, when
studying courses in the history of music and performing arts, as well
as teachers and artists.
Keywords: I. Vyshnegradsky, microchromatics, synesthetics, creativity.
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