Taking his own work as a kind of extreme atheism, Blanchot did not deny his closeness
to religion in its marginal versions. Analysing his heritage and being a representative of
the “theological turn” in phenomenology, Kevin Hart evaluates this proximity indicating
similarities and differences of Blanchot’s and religious experience.
Key words: Kevin Hart, Maurice Blanchot, neutral, outside, imagination, dialectics.
References
1. Zhizhek S. Shchekotlivyi sub’yekt: otsutstvuyushchiy tsentr politicheskoy ontologii / per. s angl. S. Shchukinoy. M., 2014. 528 s.
2. Khaydegger M. Vremya i bytie: stat’i i vystupleniya / per. s nem. M., 1993. 447 s.
3. Khart K. Kontr-dukhovnaya zhizn’ // Mezhdunarodnyi zhurnal issledovaniy kul’tury. 2011. № 4 (5). S. 95–104.
4. Khart K. Neytral’naya reduktsiya: Temnyi Foma // Mezhdunarodnyi zhurnal issledovaniy kul’tury. 2017. № 1 (26). S. 192–211.
5. Hart K. The Dark Gaze: Maurice Blanchot and the Sacred. Chicago: U. of Chicago P., 2004. 301 р.