P. M. Stepanova
Price: 50 руб.
DOI:
https://doi.org/10.25807/PBH.22225064.2018.43.57.63
Based on the theoretical and practical works of the 1960-70s by Jerzy
Grotowski, the creator of the “poor theatre” concept and paratheatre experi-
ments, the modern Polish anthropological theatre tries to create a brand-
new structure of the play using reconstruction of various ritual structures.
Euripides’ play “Electra” (2004) staged by the Centre for Theatre Practices
“Gardzienice”, run by V. Staniewski, served as the material for analysis of
reconstruction methods for ancient singing and dance. The author draws
conclusions about an impossibility to reconstruct directly the place of the
spectator-participant in the director’s script of a ritual act. Staniewski uses
an actor’s syncretic technique and archegestures for a maximal impact on a
spectator’s perception, however, saturates the place with up-to-date political
and social images which reduce the effect of the ritual interaction.
Keywords: theatre anthropology, syncretic actor, acting training, archegesture.
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