N. A. Kokoshnikova
Price: 50 руб.
The article explores specifi cs of Dahl`s work in the context of postmodernism. The author demonstrates the proof that Dahl’s writings for children are characterized by decanonization, carnivalism, intertextuality, search for a new type of reader. Author
arrives at a conclusion that Dahl can be right fully described as a postmodernist artist.
Keywords: Roald Dahl, postmodernism, children literature.
REFERENCES
1. Bakhtin M. M. Tvorchestvo Fransua Rable i narodnaya kul’tura srednevekov’ya
i renessansa: monografi ya. M.: Khud. l-ra, 1990. 542 s.
2. Liotar Zh.-F. Otvet na vopros: chto takoe postmodern? // Stupeni: Filosofskiy
zhurnal. 1994. № 2 (9).
3. Kireyeva N. V. Postmodernizm v zarubezhnoy literature: uchebnyi kompleks dlya
studentov-fi lologov. M.: Flinta: Nauka, 2004. 216 s.
4. Kristeva Yu. Izbrannye trudy: Razrushenie poetiki. M.: ROSSPEN, 2004. 656 s.
5. Klugova J. Roald Dahl: The Author for Two Audience: A Comparison of His
Writings For Children: PhD thesis. The University of Pardubice, 2007.
6. Roald Dahl / еd. by Ann Alston and Catherine Butler. New Casebooks. New York:
Palgrave Macmillan, 2012. 202 p.
7. Roald Dahl and Philosophy. A Little Nonsense Now and Then / еd. by Jacob M.
Held. United Kingdom: Rowman and Littlefi eld, 2014. 249 p.
8. Rosen M. Fantastic Mr Dah.l London: Puffi n Group, 2012. 163 p.
9. Szuber M. Homswogglers, Whangdoodles and other dirty beasts: the comic
grotesque in Roald Dahl’s writings for children: PhD thesis. McGill University, 1999.
